Book Club


Sooo, we finished the book this week, and had a great surprise. Or at least I did. :P

IF YOU WANT TO READ THIS BOOK, DON’T READ THIS PARAGRAPH! IT’LL GIVE AWAY THE END!

Anyways, to sum up the end really quickly, I’ll just let you know that Irene kept having fears that her husband and Clare were having an affair, but we never really found out for sure if that was true or not. Nella Larsen, the author, just leaves that topic alone for us to think about. Then, Clare’s super racist husband, Brian, finds out that she is really a Negro and that she had been passing all along – he is furious. Then, at the very end, we are surprised to see that Clare “accidentally falls out of a window” and dies. We never find out if that was really an accident and if Clare was committing suicide or if Irene pushed her out of the window, that’s also left up in the air by Larsen for us to think about.

Now that I’ve summed that up, I did a little bit of research about Nella Larsen and her writing. I found out that Passing is only one out of her two books she ever wrote. I was quite surprised at that, just because she was very young at that time, lived a long life, and was such a noted author. During the Harlem Renaissance, Nella Larsen was one of the most influential authors ever! In her other book, Quicksand, she also bases her plot around issues with race. I know I’m interested in reading that one myself, I really enjoyed this book and her style of writing.

Another thing I learned about her was that she was accused of plagiarizing her short story she wrote after these two novels called Sanctuary. She was eventually cleared of this scandal, but regardless she lost a lot of fame and respect of others. She was the first African-American women author to win the Guggenheim Fellowship award or something, yet people still didn’t like her. I found that very surprising.

One last thing I think I should mention is just the fact that throughout this whole book, Nella Larsen tries to recognize the African culture and expose American readers to that. I think that along with the time – the Harlem Renaissance and everything else going on in the 1920’s – that this was very important in literature. Many other noted African-American authors also tried to do the same in their writing. By opening the white Americans’ eyes to this new culture they didn’t really know about, they were able to accomplish some progression.

Overall, I just want to recommend this book to all you guys, it really was a good book. Also, the other one that Nella Larsen wrote, Quicksand, could be good too! Go buy it! Or borrow mine. :P

In this section of the book, The family has to move once again because of embarrassment. It seems that they have a hard time staying in one place for a long period of time. This time, Sissy decided to “borrow” a tricycle from the neighbors, but the neighbors didn’t really call it borrowing.

They move into a new house and Kate once again moves the tin can bank. It seems that this bank plays a key role in their lives. I think it represents hope for the future. Do you think it is meant to represent anything in particular? Maybe one day being able to afford a house of their own. But if they keep moving so frequently, money will keep having to come out to pay the movers…It also seems that Sissy is a very large part of the children and the families lives. Francie and Neeley seem to love her and Francie really looks up to her as a role model.

Also in this section of the book, it shows Francie’s curious side developing. She watched fascinated from her yard the children playing at recess. She watch as a girl clapped erasers together in the back yard of the school, but wasn’t treated very well by the girl. The girl becomes like a bully figure intriguing Francie and then pushing her away. The girl spits on her and Francie gets upset. I think this might have been one of the first times another kid has acted like a bully towards her.

I am still puzzled as to what meaning the tree has in the story but maybe things will become clearer later on. Anybody have any ideas?

I know I haven’t covered everything in this section so if anyone has any other observations or responses please post them!

Irene talks a lot about her husband Brian in this part of the book. She describes him handsome, but not in the traditional way. And then she talks about how he is restless, and she thinks he blames her for this restlessness, because she was the one that made him settle down and live in New York. A line says “Was she never to be free of it, that fear which crouched, always, deep down within her, stealing away the sense of security…” The fact that Irene is constantly fearful that something will happen to her marriage and her life, seems to show that she is not a very happy person. And also she ignores this fear, by reassuring herself that she knows Brian better than he knows himself, and that she could tell if anything was wrong.

As this part of the book progresses, Brian continues to become more and more restless and moody. And then Clare comes, and mesmerizes Irene all over again, and Irene has a party, and doesn’t want Clare to come, and then Clare comes anyway, and then Clare starts coming to visit Irene all the time, and Irene is not sure how she feels about that.

But the thing that caught my eye the most in this part of the book, was near the end. Clare and Irene are talking, and Clare says “Why, to get things i want badly enough, I’d do anything, hurt anybody, throw away anything. Really ‘Rene, I’m not safe.” The fact that Clare blatantly tells Irene that she is ruthless and unsafe, should have been a warning to Irene. But Irene doesn’t listen, because she seems to be mesmerized by Clare, as always.

Why do you think Irene is so mesmerized by Clare, even when she is obnoxious to her? Do you think she is jealous or in awe of Clare’s “passing”? Irene even says “It’s funny about ‘passing’. We disapprove of it and at the same time condone it.” But does Irene actually disapprove?

When discussing “Tortilla Flat” by John Steinbeck in my book group today, we noticed something about the book: all the characters address each other with “thou”, “thine”, and “thee”. At first it sounded kind of shakespearean, but as the book went on, it was clear that it was not a very shakespearean story. No, the tone didn’t resemble shakespeare, but it did resemble a more medieval sort of story: one with knights, and kings.  Also, the story revolves around Danny, who owns a house, and all his friends, who live in his house, and constantly get drunk. Indeed, the whole story thus far could be summarized pretty accurately: [character(s) name(s) here] aquire(s) some small amount of money, and then thinks of giving it to [other character], who they owe money. Instead, they justify their shortcomings and go buy a gallon of wine, and get really drunk. It is a story where the heros are drunken parasites, and the drunken parasites are heros. This is a new thing in the thirties,  when this book was written. Widespread extreme poverty was a new thing (in the white community at least, but that is a different post), and people hadn’t quite figured out how to cope with it. For much of the depression, america was vaguely ashamed of itself. The hobo (tramp, beggar, call them what you want) had never been so omnipresent, and people didn’t like them, because they would look and think “that could be me!”, or, if they were a hobo “damn! that is me!” Anyway, society suddenly had to find a way to deal with hundreds of thousands of hobo’s. And by “deal with” i don’t mean “rehabilitate and integrate into the work force”, i mean “try and rationalize so you don’t go crazy with shame and depression.” around this time there started to be hobo clowns, with their cute bindles and big shoes, painted with exaggerated frowns and tear stains.  This book might have been another way of tackling the hobo issue: beggar as hero!  Portray the extreme ingenuity and courage it takes to get by with no resources!  That is what this book does, drawing a parallel to the knights of the round table.                                       Another interesting theme the book brings up is Feudalism, which is the system Danny seems to have with his friends. Technically, he is the one who owns the house, but they all use it.  But in return, he holds most of the power in their relationship, and they have sworn loyalty to him, to be in his service. I don’t know if Steinbeck was trying to make a point with this comparison, or if our book group made it up. Anyway, i encourage anyone who wants to learn more about hobo’s to watch this video on youtube.  It is by John Hodgeman, the preeminent hobo scholar.http://www.youtube.com/watch?v=t1JIa5r5nkE 

Okay so since we last left Janie she had just run away with Joe. Since then Joe started a town of black people, bought the land, erected a store and became Mayor. He continually surpresses Janie and won’t let her share her opinion or let her hair loose and such. Then Janie sees a mule being worked to death, Joe notices Janie’s sorrow and buys the mule to let him die grazing. The Mule dies. Then 20 years later, Janie’s getting near 40 and Joe is even older. He’s constantly harassing Janie about how she’s not young anymore and can’t be doing any of the few things that she enjoys (and is allowed to do), saying she’s getting too old to do them. So she get’s pissed and yells at him about how he’s not young either and why does he always talk about her abusively like that. Then he loses his pride because she had stated he was old and past his prime in front of the other guys. Then Joe gets sick and dies, but not before Janie goes in and give him a piece of her mind about how he stifled her. He then dies contortedly. Janie finally has the store and the house to herself and is allowed to do as she pleases. Then a couple months later this younger man named Tea Cake keeps showing up at the store. Janie starts to like him but is unsure of whether he’s just after her for her money like the suitors that have come before since Joe’s death. He is surprised to learn she dosn’t know how to play checkers, and teaches her how. Then He goes away and works alot to be able to pay to take her to a picnic and buy her stuff. After that the town starts talking, They get closer and Janie tells Pheoby that they’re going to get married, she’s going to sell the store and they’re going to run off somewhere.

 It seems like Janie is trying to find her own place in the world, and find out what she wants especially now that Joe’s out of the picture, but I can’t help feeling that she’s still naive and hasn’t completely figured stuff out yet because while she was cautious at first, she’s just accepted this stranger (Tea Cake) and suddenly gotten close to him and stuff. Tea Cake’s seems somewhat different though, He taught her to play checkers and hasn’t yet asked her for money, BUT suddenly she’s totally catering to him and changing herself for his needs. Like with wearing all this blue and that kind of thing…She’s losing herself trying to please someone else and he’s letting himself be pleased. She’s continually conforming to what he wants her to be and do, which ultimately may not be what or who she wants to be. He also suggested they go someplace else, even though Janie has already been established in the town she lives in. Also when she was talking to Pheoby, she said basically ”he’s picked out everything that he wants to see me in”(see her in at their wedding) but she didn’t say who’d be paying for it AND he picked everything out-everything that HE’D like to see her in…. I just hope she has a little caution because she’s really impulsive and I think her impusivity, while caused by a quest for happiness, is just going to continue to leave her unfulfilled.

(Sorry, as usual, that this post is up so late.)

A Tree Grows In Brooklyn

By Betty Smith

We read from pages 5 – 54. This is entirety of “Book 1″; which essentially means part 1.

Characters:

Francie Nolan. 11 year old girl, Irish-American. Loves to read. She is very sensitive and observant, Her family is very poor, and consists of Neeley Nolan, Johnny Nolan, and Katie Nolan. She likes Johnny best, even though she knows he is irresponsible. Christian.
Neeley Nolan: Francie’s 10 year old brother. Slightly disagreeable, but kind at heart. Has a lot of full-of-themselves ten year old boys as friends.

Katie Nolan: Francie’s mother, maiden name Rommely. She is 29, with black hair, brown eyes, and a “nice shape. Slight and pretty. Works very hard, cleans floors. Very logical. Makes as much as she can with what she has. (Which isn’t much.) Meet Johnny when she was 17 and working at the Castle Braid factory. He was dating her best friend.

Johnny Nolan: Francie’s father. Blond hair, devil-may-care attitude. Well-known as a drunk, but handsome and lovable all the same. Sings all the time, especially when he comes home. Likes to hear himself talk. Dresses very well, if cheaply. Does not have a regular job, but works as a singing waiter once in a while. Meet Katie when he was 19, and dating her best friend.
Aunt Sissy: Katie’s sister. Has the reputation of a very “loose” woman. 35, already married 3 times, and has given birth to 10 children, dead. Works in a rubber factory, has black curly hair.  Lives with her current husband. Loves children and people, and Francie loves her for that.

Aunt Evy: Another sister of Katie. Fun-loving and comedic. Married to a man called Willie, who is thin and dark, and plays the guitar even though one of his fingers is missing, and fights with his horse Drummer.

Summary: We begin with a description a tree growing, obviously in reference to the title. This particular tree “likes poor people” and only grows in their districts – in this case, Brooklyn – this tells us about Francie and her family, because there is one growing over her fire escape. We then meet Francie, who is 11, and very excited because it is a Saturday in summer. People get paid, and have fun on Saturday. Her Saturday begins with a trip to the junkyard with her brother Neeley, after having hoarded things like rags, bits of metal, paper, foil, and rubber. At 9 am they, and many other Brooklyn kids, head out to the junkyard, and are taunted by those coming back already, even though they are in the same situation. There is a lot of shame in that. The junkyard man likes girls better, so Francie goes in and gets an extra penny for not flinching as he pinches her cheek. The other money Neeley divides into half for the bank, and one quarter each for the two kids. He heads into a “boy’s” candy shop, whereas Francie goes into a different one, where she lives vicariously through a friend Maudie as she buys a “prize bag” – so Francie is satisfied enough and saves her 5 pennies for pink-and-white peppermint wafers from the 5 and dime store.

She head home, walking through “Jew Town” and thinking about things and jobs, and babies. After reaching home, we meet Katie (”Mama”), who is overworked, but very pretty. They discuss money, and decided in intricate detail what to buy for lunch. Francie goes out and haggles for some buns and sliced tongue. There is a description about how coffee is their main luxury, and that Francie loves to smell it, and then have the ability to waste it, because it is the only thing she can waste. Francie later goes out to get bread, which is a seriously popular and crowded thing to do when you’re getting for cheap. She has to fight to be able to do it. She then has a slight panic attack when she sees an old man and thinks about how pointless and lonely and sad it must be to be old.

She follows Neeley out of the house while he walks with his friends, and the 10 year old punks halfheartedly terrorize some small Jewish boy. After she gets bored with their taunts and self-confident boasts, she heads to library, where she goes everyday to check out a book in alphabetical order. She dreams of having a library, and deals with a snippy librarian who refuses to look at her because she hates children. Francie then goes home, anxious to read, and arranges her peppermint wafers, books, water, and self on her fire escape and reads. She also observes the people and things around her, as she is unseen behind the tree that grows around the fire escape. Some boys come to torment a horse that lives next door, but the groom, a nice young man named Frank, chases them off. Frank is also propositioned by a woman called Flossie in whom he has no interest in.

Johnny Nolan, he father, comes home, singing as usual. He has a job that night as a singing waiter for a wedding, and is very cheery as Francie irons his apron and he chatters about the Union that he joined, and is very proud of. Francie once went with him to Union headquarters, and hears people talking about how much of a drunk he is. She is pained, but then happy, because she sees how much the people around him love him. She then returns to the present where Johnny is ranting about how he can’t get a job, no one believes in him and that’s why he’s a drunk. But when he sees how sad she looks, he perks up and hugs her, and then asks her to fetch him some disposable shirt fronts for his job that night. After getting ready, he looks very dapper, even in his slightly worn tuxedo. Francie is very proud of him, even though he is unreliable, and loves him very much.

After sending him off on a trolley, she visits the desperate woman who propositioned Frank; Flossie. Flossie works in a factory turning gloves inside out. She often brings work home to do more of it, because her brother is dying of consumption. Francie goes to talk to him, and he is very nice, though he keeps talking to someone who isn’t there. He then gets upset, and they have to leave him alone. Francie goes to look at the dresses Flossie makes and remakes for a ball she goes to every Saturday. They all have a right sleeve, because Flossie had fallen into a wash boiler of scalding hot water when she was a child, and her arm was wither and purple, so she always hid it.

Francie’s mum then brings home Aunt Sissy. This is the wild and slightly promiscuous sister whom Francie loves. They have returned from seeing a show, and chatter excitedly. After Sissy leaves, there is a discussion on food. Francie describes in pages what her mother can do with stale bread and ground meat, and how wonderfully they eat, considering. After talking a little more about Jews – there is an old man who sells pickles to Francie – it is time for Neeley and Francie to go out to buy the weekend meat. They are to go to different places for the meat and the bone, and have very specific instructions so they are not hoodwinked and can get the best possible for the money they have. This anger the first butcher, because he is trying to sell Francie days-old meat, but she will not let him. Francie handles all the buying of the food, and Neeley (the boy) is merely there for moral support.

After supper, Maudie (Francie’s friend) comes round to go to confession with Francie. Maudie lives with two maiden aunts who make funeral veils because she is an orphan. Francie goes through confession and absolution, and then says her penance, and then meets Maudie outside. Francie promises to call on her, and then returns home.

One of Katie’s other sisters, Aunty Evy is there with her slightly pathetic husband. He is playing the guitar, though he is missing a finger, and thus keeps the beat by banging on it when he can’t play that note. He feels slightly pathetic, and whines a bit, and thus, Evy takes him home

Before the kids go to sleep, they read a page of Shakespeare and a page of the Bible, which is a rule. By 11, the kids and Katie are all in bed. (A bit late for 10 and 11, mayhap.) Francie hears the people outside dragging their feet, there are people walking around and a baby crying, and in a downstairs flat a drunken man is criticizing his wife and her “wicked life”.

At two in the morning, Johnny returns, singing, and Katie gets the door for him. He has returned with food spoils from the wedding, and everyone gets up (at 2 am) to eat it, even though they don’t like half of it. Neeley goes back to bed, Katie and Johnny talk in the kitchen, and Francie watches a girl across the street with her boyfriend. They are embracing for a long time before her father comes down and chases the boy away. She then sees someone called Mr. Tomony come home from the upper part of town. He is very rich and fashionable, and no one knows why he lives in this area. Francie determines to follow him one day, and then shudders at the thought of sleeptime, because she always here a couple quarreling, and then the woman crying. But since it is Saturday, she is allowed to sleep on chairs in the front room, and not have to hear them through the airshaft. So she listens to Katie and Johnny reminisce about when they meet.

Wow. My hands hurt. That was a rather long summary.  Sorry about that guys.

Emma

so far in passing…  we meet Irene, a light skinned black woman, who identifies herself as black though “passes” as spanish, mexican, or white in most public places.  Irene runs into a long lost friend Clare while having tea on a hotel roof cafe. Clare is also a black woman, though recognizes herself as white, she is very light skinned and has light hair.  They catch up about the past 12 years (Clare left to live with relatives after her father died), and Irene finds out that Clare had “passed” into the white world.  Married a white man, and had “white” children.  Clare’s husband does not not that she’s black, or that his children are half black, and at the time he probably would’nt have married her if he had known.  The book was first published in 1929, then again in 1997 and again in 2003.  In 1929 it was very unlikely for a black woman to be allowed to sit and drink tea in a fancy hotel, and I wonder is Irene feels any guilt for being one of the very very few people of color allowed to be there.  And would she deny her race if asked?  When Irene see’s Clare (without yet knowing that its clare) looking at her, her immidiate thought is wondering if the woman looking at her could tell that shes black.  Did she think it was shameful to be black? or to be hiding it?   Clare on the other hand seemed very comfortable with being white, maybe from practice.  Irene even asks Clare how she could do that, change her race.  Clare says it was easy and explains to her what happened.  Basically, Clare met a white man, that didnt know she was black and she up and left her family, and basically became white.  There isn’t much of a comparison to my last book, “Freckles.”  Race wasn’t really adressed in that book because it was based in the woods, and had only white characters.   So to conclude… some questions,  Do you think Clare considered the morals behind her choice?  Do you think Irene notices the comparison between Clare and her situations?  Would it be better to live poor and less powerful, or to change who you are completely? 

A Mystery of Heroism


By Stephen Crane Over this past weekend, I read the 4th in Crane’s collection of stories, A Mystery of Heroism. As the title implies, the story raises the question - “What is a hero? What is heroism?” It begins with the factual description of a nameless war, one that by the equipment used – “On the top of the hill a battery was arguing in tremendous roars with some other guns, and to the eye of the infantry the artillerymen, the guns, the caissons, the horses, were distinctly outlined upon the blue sky.” – would definitely imply that this story was set during the Civil War.


In said story, a union soldier called Fred Collins, of A Company, is shouting about wanting water. All the while, amidst his shouting, the regiment pauses to watch their comrades die on the field. “Our” side is strategically placed on a hill, while the opposing force is in the forest, and there is what used to be a quaint meadow between them. To the side of this meadow is a now-ruined gray house, that has been savaged by bullets and soldiers seeking firewood. The carnage continues around him, injuring specific nameless people, and scarring the meadow, as Collins natters on about needing water. His relative indifference to the dying around him leads me to believe he was either separating himself and fixating on the water as a means of clinging to the mundane in a dangerous circumstance – or, he was actually slightly delirious from dehydration.

Fred Collins is a simple man, with simple thoughts and desires. He is a proud man, a foolish man, and when teased by his comrades about how he would be afraid to fetch water from across the meadow, he is rapidly driven to breaking point. He rashly goes to his captain, who is talking to the colonel of the regiment, and states his desire to go fetch water. The Captain recognizes the seriousness and absurd nature of such a request, and asks “ ‘Well – ah,’ said the captain. After a moment, he asked. ‘Can’t you wait?’” After a resounding no, the captain allows him to go.

His companions badgering him with questions, advice, warnings, and excited talk, Collins is relatively indifferent. He takes five or six canteens to fill, and strides off into the field. No where in this is there any indication that he actually wants to go. It is almost as if he feels he must, as a matter of pride.

Collins begins to ponder what he is doing, and finds himself so far unafraid. He felt dazed and a little out of control, and begins to understand that what he is doing might be called “dramatically great.” He then ponders that all men who do not feel this human fear “were phenomena – heroes.” He considers himself a hero – and then almost instantly dismisses it on basis of not paying back a friend 15 dollars, and not writing to his mother before she died. He then calls himself “an intruder in the land of fine deeds.”

The battle continues, and he hurries toward the wrecked house, canteens empty and swinging. As soon as he reaches the well, he lets a canteen fill itself painfully slowly, and feels a sudden burst of terror. He gets more and more frantic, hearing the explosions and bullets around him, and eventually gives up on the canteens, opting for a fast-filling bucket.

There is a wonderful quote that represents how Collins himself feels about his own heroism. “So, through this terrible field over which screamed practical angels of death, Collins ran in the manner of a farmer chased out of a dairy by a bull.” This metaphor, using death angels and farm animals, shows the extreme contrast between Collins and the ideal hero. But still, Collins is a hero.

This is still questionable at this point, but as he runs frenziedly back to his regiment, he is very aware of his own mortality. He reaches an artillery officier who had fallen to the ground, horse and all, a few pages back. He is utterly alone, his suffering heard by only bullet after bullet. He is tormented by pain, yet calls out – “Say, young man, give me a drink of water, will you?”

Collins shrieks out, “I can’t!” and runs on, wild. The man, trapped under his horse and doomed, sinks back down to die.

But Collins turns. He is full of fear, consumed by it, but he runs back, and tries to give the officer his last drink. The man droops, falls, but Collins urges him. “Here’s your drink. Turn over. Turn over, man, for God’s sake!” The officer has the faintest smile on his lips as he looks at Collins, and he sighs, a small breath like that of a child. Wild with terror, Collins splashes the face of the dying man and runs on.

The regiment welcomes him back with laughter. Two young lieutenants gained possession of the bucket, and they rough-housed a little. “Don’t, Billie! You’ll make me spill it!” and they laughed. Suddenly, there is a thud on the ground, a gasp amidst the ranks, and the two glare at each other. The bucket is on the ground, empty.

The first thing about this story that strikes me as I read it over is how few characters have names, aside from our focal point, Fred Collins. At the very end, one of the lieutenants is called Billie by the other, and there is a Jim in there somewhere, but the no one is directly indicated to by name aside from Collins. This seems to reinforce Crane’s technique of not using names unless necessary for distinction, or for very specific reasons.

The dictionary defines a hero as:

  1. In mythology and legend, a man, often of divine ancestry, who is endowed with great courage and strength, celebrated for his bold exploits, and favored by the gods.
  2. A person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life: soldiers and nurses who were heroes in an unpopular war.
  3. A person noted for special achievement in a particular field: the heroes of medicine.
  4. The principal male character in a novel, poem, or dramatic presentation

Fred Collins risked his life for a silly, arrogant need to prove himself. That is not heroic. But his second risk of his life – not for himself, or the recognition from his comrades, but to grant a dying man his last wish – that is heroic. Even after realizing the terrible danger that he is in, he continues to proactively help someone. Collins has never before considered himself a hero, and in the end, may not. After all, what difference did his risk make? A spilt bucket of water?


Questions: Do you think Collins is a hero? That his risk was worth it? Do you think that the bucket was spilt even matters? 

Thanks all,Emma

In this story, there is a man named Stimson who owns “Stimson’s Mammoth Merry-Go-Round”. Little children go on the merry-go-round and try to grab metal hoops as they go round. There is a young man named Frank who collects the hoops from the children when the ride finishes. He is always smiling at a girl who sells tickets. This girl is named Lizzie, and she is Stimson’s daughter. Stimson is annoyed that Frank is always smiling at his daughter. Frank and Lizzie have a complicated relationship consisting only of smiling at eachother. They have nevr spoken, and yet they seem to be in love. One day Stimson gets so annoyed, he tells Lizzie to stop staring at Frank, and he tells Frank that if he keeps staring at Lizzie, he will be fired. But this does not stop Frank. When Lizzie goes down the the beach with her friend, Frank follows. At first he doesn’t know what to say, but then Lizzie’s friend leaves him and Lizzie alone, and they begin to talk, and they were very happy with eachother. Then one day, Stimson arrives at his merry-go-round to see that both Lizzie and Frank are not there. He runs home, and his wife is there, hysterical. She says that Frank and Lizzie drove by, and before the wife could ask where they were going, they drove away. So Stimson runs down the street after them. He gets a “hack” (i think it’s like a taxi) and tells the driver to chase after the buggy that Frank and Lizzie are in. Stimson is furious, and caught up in the chase. But the buggy is going too fast, and Stimson begins to feel old. He realizes that the fast buggy infront of him is the pace of youth, “…swift-flying with the hope of dreams.”

I liked this story the most out of the three we have read. I actually liked some of the descriptions, because they were very vivid, like “the summer sunlight sprinkled its gold upon the garnet canopies…”

I think that Stephan Crane was incorporating yet another moral into this story. I think he was saying something like, you can’t chase after youth, that youth is not forever, and at some point you will age, and just have to accept that.

idk…i could just be randomly reading into it. What do you guys think?

Ok, so this week, things got a little more interesting. Heres a recap. Robert decides he is going to move away to Mexico out of the blue. He makes his decision one morning, but Enda is upset that he didn’t talk to her about it. She didn’t even hear it from him. They had been together all morning, and he hadn’t even mentioned such a thing to her. This was a real turning point in the story because you were just starting to see a romantic vibe accumulate. The summer was ending, and everyone says there goodbyes. Edna, her husband and her children return to there house in the city of New Orleans. She tries to forget about Robert, but she can’t stop thinking about him. Her job as a receptionist was on Tuesday where she would get many callers. They came on a silver platter ad she was to answer to them. But this Tuesday, she went out. Her husband was appalled to hear that she didn’t even have an excuse for not being in for her callers. She continued this habit. She was disconnecting herself from the world. The only people she was interested in talking to were the people from over the summer. Edna became angry and even broke a glass vase and stomped upon her wedding ring. She had become a completely different person and her husband had been noticing. She began to do as she pleased and ignore her duties. During this time, that was unspeakable for a wealthy well known woman to disappear and not keep up with her social life. She wasn’t doing her duties at home and her husband was fed up with her. He spoke to her, but she seemed to ignore him. She continued to ignore her duties and preceded to try and find Mademoiselle Reisz. Edna wanted to hear her piano playing. After looking in the directory and realizing she had moved, Edna went to Madame Lebrun, to see if she had the address. She learned that Robert had only written 2 letters to his family and hadn’t mentioned her in either. Emotions started to overtake her and she realized that if he wished to talk to her, she would have received a message. Victor (Roberts brother) makes a comment about Edna’s beauty, and how she seemed like a different person. Do you think something will happen between victor and Edna. Do you think Robert will come back? Do you believe that Edna will continue to in a way ignore the world, why do you think she is becoming so angry and staying disconnected? Is it because of Robert, or her difficult relationship with her husband. Just some questions that were on my mind. Anything else i missed? post some comments groupies.

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